Keith Pollard - There's a Reason He Penciled Three Anniversary Issues

Keith Pollard - now here's a guy whose work I always looked forward to. And put that in context. The man followed Ross Andru on Amazing Spider-Man, John Buscema on Thor, and Buscema and George Perez on the Fantastic Four. Many artists might shy from those three assignments, give the stature of the departing artists. But man... Keith Pollard jumped onto all three books and made them his own. It's no wonder the powers-that-be at Marvel Comics had no problem entrusting the man with Amazing Spider-Man #200, Fantastic Four #200, and Thor #300.

As I was winding down on my initial comics buying mania in the late 1970s, it was Pollard who was the guy left minding the store on many of the books I was buying. I've always felt it a shame his career wasn't longer. Truly, I can't say enough good things about how much enjoyment he brought me when I was elementary school and middle-school aged. Fond memories!

Enjoy a sampling of his sketches and original art today. And as always, my gratitude knows no bounds for all the collectors around the interwebs who make these documents available for all of us to enjoy. They retain all ownership; I'm just thankful that I can Ooh and Aah at them!

 

 

 

 

Gil Kane - Explosive Action, Wiry Anatomy

Those of you who've known me for a long time know that Gil Kane's art has been an acquired taste for me. I've long said that my comfort zone lay squarely with the likes of John Romita, the brothers Buscema, Neal Adams, Jim Aparo, etc. - the realists. I would place Kane's work into (these categories exist in my head; I'm sure this isn't, like, a thing...) the stylists category. With him lives the work of Walt Simonson, and sometimes Frank Miller. At my position square in the center of middle age, I've come to appreciate and enjoy the output of all of the above mentioned artists. Perhaps maturity in the eyes took a little longer for me than it did for others?

As a child, I felt like all of Gil Kane's figures were in the throes of rigor mortis. The lines seemed harsh, the fingers especially. And those nose upshots... Ayayay - don't get me going on the nose upshots. His figures were ubiquitous on Marvel's Bronze Age covers - it seemed that between Rich Buckler and Kane, there were no jobs available penciling covers at Marvel Comics. But again, as I've aged, and have been exposed to more of his work, I think I'd now liken him to Jack Kirby in a way. Sure, their figures bear little resemblance. But the power on the page - the motion, the action, the way the heart quickens while reading an action scene. Kane was a master of anatomy (OK, the King maybe was not...), and every figure looks like those muscles are about to rip right through the fabric of their costumes. I now see Kane's work as incredibly kinetic, and in that regard not unlike a Gene Colan action scene.

I wish I'd come to love the man's work earlier than I have.

 

 

 

Spider-Man Newspaper Strips: Kraven the Hunter - a Review

Spider-Man Newspaper Strips, volume 1 (2009)
"Kraven the Hunter", October 31, 1977-December 25, 1977
Stan Lee-John Romita

Raise your hand if, back when you were a Bronze Age Baby, you peddled your bike to the local gas station or convenience store to pick up the daily paper that carried the Spidey newspaper strip. Yup - me, too! For me, it was around a 6-block ride to the Convenient Food Mart on Main Street. They sold the Chicago Tribune, and once Stan Lee had told me in the Bullpen Bulletins that the strip was starting, I started saving my pennies! I didn't get there everyday, but man - did I make the effort! I'm sure I clipped-and-saved, but darned if I know whatever happened to those strips. I also recall being somewhat disappointed that some of the arcs did not include the rogues gallery I'd come to know and love from the comics. If you don't have access to the strips, the first storyline featured Dr. Doom. I'm certain I don't recall that at all. I do, however remember an extended run that featured the Kingpin. But all that aside, today we're looking in on Kraven the Hunter! And a BWBC thank you/acknowledgement to Matt from the Not a Hoax/Not a Dream blog for his scanning (stolen and presented today) and to Al Bigley for the color Sunday strips (also stolen and presented today). Just so you think I'm not a total loser, I've also included some of my own photographs from the strips. There...

Let's roll, in the Mighty BWBC Manner!

100-Word Review:

Mary Jane Watson and Flash Thompson are on a working vacation in Florida, where they take in the animal act of Kraven the Hunter. Back in Manhattan, J. Jonah Jameson and city editor Joe Robertson debate sending Peter Parker to cover Kraven. But Jonah has an epiphany - if Kraven is the world’s greatest hunter, then why couldn’t he hunt a Spider? Robbie protests, and walks out the Daily Bugle’s door. Jonah hires Kraven anyway - and brings him to New York, and fisticuffs between he and our wallcrawling friend ensue. But… will Jonah sabotage Kraven’s victory?

The Good: What's better than a Stan Lee/John Romita collaboration on our favorite Web-spinner? Not much, unless you wanted to look for some Lee/Jack Kirby Fantastic Four stories? Let me warn you ahead of time: I'm going to contradict myself in the next section. But for now, I want to say that if the goal of the various Marvel (and DC, too) newspaper strips was to introduce our heroes to a wider audience, then this should be considered a success. All the elements you'd expect from a Spidey story are here - his supporting cast, Peter's "lovable loser" persona, an over-the-top villain with ego-stroking as his sole motivation, and so on. This story was a warm blanket on a cold day (which, as I'm writing this on 1/31/19, the outside temp is 5 degrees below 0).

You can argue with me if you like (you'll lose), but the characters in the Amazing Spider-Man universe are the best across all comics. I'll further posit that J. Jonah Jameson may be the best villain - super-powered or otherwise - in comics. He's a foil, an antagonist, a plotter & schemer, and a perpetual pain-in-the-butt. He doesn't have to wait 12-14 issues to reappear, because he's always there! And his presence is certainly felt on both ends of these shenanigans, from setting it up to bringing down the curtain... it's JJJ, all the way!

How good is John Romita? Really good. What a wonderful illustrator. Some would say that he doesn't take a lot of chances, that his style is very clean. For me, that's what I like about it. I've heard some say that once Kirby left Marvel, John Buscema sort of became the caretaker of the "house style". I can see that. But running through the Silver and Bronze Ages was the watchful eye of Romita. His steadiness in providing promotional art, book covers, calendar pages, etc. put the Marvel pantheon of characters in a nice, neat box. I appreciate him for that.

And Stan Lee? I like his Spider-Man writing perhaps best of all. I'd have to fist fight myself to see if I really enjoyed his Fantastic Four more, but those two books would be out in front with a gap to third place. I guarantee I like this stuff better than Lee's Silver Surfer, which can really wear on a man's patience if too many issues are read in close proximity. Hoo-boy... But here all of the voices just sound "right". And I love it.

The Bad: A little over six years ago, I reviewed this hardcover on the BAB. You can read my thoughts on the structure of the book itself, the layout and design, and also on the first story arc (again, featuring Dr. Doom). Let's just say the book, as a book, doesn't get high marks. I'll also add here that the reproductions of the strips seem uneven throughout the book. At times, it looks like they were able to shoot from the original art; in other places it appears that photocopies were used as the "original" imagery. However they did it, without color, the choppy lines are more noticeable.

I'm going to say something that I feel a little badly about writing. However, when you have some history in the rearview mirror with these characters, there's a sense of been-there, done-that. That's what I got when I read today's featured tale. As a peruser of many a Spidey comic over the past 45+ years, I hate to say I've seen it all, but hey - there just wasn't much new here. We had Peter's angst, Aunt May's ailments, Jonah's bluster, Kraven's megalomania, MJ's restlessness - it was all here. Now on one hand, you can argue that it's like comfort food. I can get on board with that. But if you're looking for anything that sets this story apart, you'll find yourself dissatisfied.

The Ugly: Zilch.

 

Please leave me a comment, whether it be on this story, the Spidey strips in general, or even other newspaper strips of the superhero (or Conan the Barbarian, too) variety. I have three trades that reprint the Batman strips from the Golden Age and hope to get to those at some point. I'd love to hear about your experiences with other strips. Thanks in advance!