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Showing posts with label Red Sonja. Show all posts
Showing posts with label Red Sonja. Show all posts

Thursday, March 28, 2019

C2E2 2019 - a Review



It was a day two years in the making, and it did not disappoint! In April 2017, I joined my friends Mike and Robert from Back in the Bronze Age (and formerly staff writers at Bronze Age Babies), along with one of their frequent commenters, Joe, at the C2E2 comic convention in Chicago. We couldn't pull it together to meet again in 2018, and alternate plans to meet in Indianapolis also did not materialize. But never say never, and through Joe's prodding we made it happen a few days ago. But the surprise of the day was the appearance of Colin Bray, all the way from England! Colin had been a mainstay at the BAB and then moved over to participate in the shenanigans at BitBA. On a whim, one day Joe offered Colin and Steve from Steve Does Comics to come on over - Joe would pick them up at the airport and put them up for a few days. Colin took that bait, and it was a total pleasure to meet him and to spend a few hours sharing our love of the Bronze Age, though separated by an ocean.

Robert came up from southern Indiana and spent the night with us on Saturday. He and I enjoyed a great breakfast at Lumes Pancake House in Frankfort, IL, then journeyed the rest of the way to McCormick Place on Chicago's lakefront. The other car with Mike, Joe, and Colin arrived just minutes after ours, and after some greetings and quick catching up we were able to pose for this team photo outside Neal Adams's booth.

Robert, Doug, Colin, Mike, and Joe at C2E2, March 2019
The initial exchange of pleasantries over, we headed out to the Artist Alley. I'd had in mind that I'd like to continue to fill my copy of Les Daniels's Marvel: Five Fabulous Decades of the World's Greatest Comics with creator signatures. I was put off, however, that many of the bigger names were charging for their autographs. While I understand that practice, it did sour me a bit. There were some creators, however, who offered a free signature in exchange for any size donation to the Hero Initiative. I thought that was worthwhile, although I did not do that with anyone. So my initial goal of securing signatures from Art Adams, Neal Adams, Rob Liefeld, Kevin Nowlan, George Perez, and Marv Wolfman fell somewhat flat. My choice - I do not mean to cast blame toward any of those creators.

I did, however, meet Joe Staton. Joe's famous in my personal history for his work on the Justice Society revival in All-Star Comics in the mid-70s, and then on Green Lantern around the same time. My favorite Marvel job of Joe's is his inking of Sal Buscema in Avengers during the "Celestial Madonna" arc. Joe was at his table with his wife, and they were quite kind and friendly. I'd been on Joe's website ahead of the con in order to see what kind of prints he might have for sale. I'd seen a JSA print and really hoped that he'd have it. Lo and behold, he did! But when I asked about buying one, his wife said that I was going to get the last one! Score! I was quite happy to take it off their hands, and Joe happily signed it to me, along with my copy of the Huntress: Darknight Daughter tpb I'd brought along. I thanked Joe for the hours of fun he'd given me, and he seemed humbled by that. But I think it's important that we share our gratitude when we can.


After roaming the Artist Alley some more, and deciding I didn't want to wait in the very long line to greet Wolfman and Perez, I eventually made my way to the vendors. Those who've followed me through the years know that in 2014 I sold almost all of my comics and memorabilia collection. Having done so, it changes one's mood a bit at a large comic convention. I used to hunt for the Marvel Legends I'd missed, and there was a time long ago when trying to fill out my complete run of Avengers, volume 1, was really fun. Now, though... I often walked right past those vendors, sometimes with a longing glance, yes, but often with little notice. The places I did seek out, however, were those dealers specializing in trade paperbacks and hardcover collections, or at least with a significant stock. Once finding those folks (notably Torpedo Comics), I then hoped for the somewhat traditional group pricing. And did I find it!

I wish I'd written down the names of the vendors from whom I purchased - always good to toss business to good people. Torpedo Comics stands out in my mind simply because of their display. Their booth is a virtual fortress of enormous black containers, gigantic trunks if you will. These things open up, have drawers, and are really quite amazing. Torpedo Comics's booth looks like a collected edition library. But as I mentioned, I bought from a few dealers, and was tickled to be able to purchase several volumes of Dark Horse's Chronicles of Conan trades. I'd hoped to find some of their Savage Sword of Conan reprints, but those have long been out-of-print. But hey - John Buscema Conan art in color? Sign me up, any day. A couple of other trades I snagged included the JSA Elseworlds story "The Golden Age" and the fun Liberty Legion compendium featuring the Marvel Two-In-One issues. Overall, I bought 15 trades for just a hair over $5 apiece. While that made the book bag I was carrying pretty heavy, and truthfully ended up being more money than I should have spent, I feel that those dollars left my hands for great deals. At least, that's the way I rationalize it.


As at any con these days, there is always some great cosplay. No shortage of that in Chicago last Sunday. Mike took these pics and shared them with the gang. I thought I'd pass them along to you, too. The Galactus outfit is off the charts!!

In addition to comics and action figures, I owned a small collection of original art that I sold in 2015. I do love to see such things in person, and over the years have tried to simulate the experience by using my comics proceeds to purchase some of the wonderful Artist Editions from IDW. Here's a shot of one of the large art dealers, and a print that Neal Adams was selling. Love these things!



Monday was spent organizing all of my new purchases. As I've pulled comics to read, left some books out for use here on the BWBC, bought new things, etc., my book case had become somewhat messy. After C2E2 it seemed time was ripe for some reorganization. It took around an hour, and required a little thought first, pulling some things off the shelves, reorganizing an action figure display, and plotting out some future acquisitions that are on my radar. But after all that, I thought I put it back together nicely.

So all that looking, dealing, and buying is fine (and also fun). But what was most memorable about the day was the time spent with friends. I recall two years ago when I first told my wife I was heading to C2E2 with some "friends". She asked how I knew them. "The Internet" was my response, which earned me a raised eyebrow from my bride. But I think those of us here right now, and who spend time on other social media platforms know that genuine friendships can develop over the course of many years of camaraderie. My BAB partner Karen and I have long declared, and joked, that although we've been friends and colleagues for the better part of 12 years, we have never spoken to each other. Well I'm here to say that it is possible to develop rich friendships through digital communication. When Robert arrived at our house Saturday night, I anticipated some nice conversation, which I knew would take off further once we hit the road on Sunday morning. What I did not expect was the gift he brought me in thanks for my hospitality and friendship. You can see it just below:


You'll notice the copyrights at bottom left of each panel. This is actually a series of bookmarks, featuring Barry Smith's Red Sonja. Robert got this from Smith back in 1975 at a convention in Indianapolis, IN. Robert was in high school then, and had held onto this gem ever since. I was floored by his gift - what a cool piece! Truthfully, it's worth more than the stay in our extra bedroom and a hot shower - but that's what friends do. I'm thankful for the time the five of us spent and the few hours of breaks we took to just talk comics and growing up in the Bronze Age. Oh, and we're already making plans for the future!

Wednesday, January 23, 2019

Super Blog Team-Up: The Redemption of Red Sonja - a Review from SSoC 1




Savage Sword of Conan #1 (August 1974)
"Curse of the Undead-Man"
Roy Thomas-John Buscema/Pablo Marcos

Welcome to the first Super Blog Team-Up of 2019. I'm somewhat of a seasoned veteran of these interweb collaborations, but this is my first appearance as a solo act on this blog. I'd encourage you to check out my previous participation as one half of the Bronze Age Babies. This time around we're discussing Redemption. When Charlton Hero of the Superhero Satellite approached me about joining today's fun, and of course knowing my focus on black & white comics, it didn't take long to choose today's topic.

Several years ago on the Bronze Age Babies blog I'd reviewed Conan the Barbarian #24, "The Song of Red Sonja". That post, as well as quite a bit of reading of Savage Sword of Conan mags, made this almost obvious. Here's a snippet from the end of that Conan post:
Doug: Sonja explains that the wizard of Pah-Dishah had given her an incantation to keep the serpent tiara an actual crown. However, she forgot what to say as she first held the precious bauble. Sonja offers Conan to take as many jewels as he can carry - he declines, saying he has to live yet in the city. Then he tells her that he fought tonight, after all, for other rewards. Leaving the tower, Sonja rappels quickly downward, far faster than the Cimmerian. He calls to her to slow down, but as she hits the ground she quickly lights the rope afire. It literally burns through Conan's hands, and he falls hard to the ground. Stunned, with legs that won't work quite right, Conan nonetheless reaches Sonja - who is not atop her mount. He tells her that she'll pay him now with kisses aplenty.  She explains that no man shall have her, lest he first best her in battle. And that is something (as she rides away, knocking Conan down yet again) he shall not do this night.  Beyond angry, Conan smoulders as he limps back into town - vowing to have that woman, even if she least expects it.
Today I want to delve into Sonja's next appearance, her 3rd overall. This would come in the pages of Savage Sword of Conan #1, of course in the black & white format. It's worth noting that the shift from the color monthly to the B&W mag also brought a change in artist, but perhaps more notably a completely revamped look. And what a look! Designed by Esteban Maroto and approved by Roy Thomas, John Buscema brought the chain-mail bikini to the masses - and in the first full-panel reveal, an iconic image. Let's look then, at a 100-Word Review:

Zamora’s “Maul” finds a certain Cimmerian in search of debauchery. Approached by a trio of ladies of the evening, Conan contends that he has no money for… drinking. Enticed, Conan strides deeper into the Maul in search of “skulls to crack”. However, a cacophony of screeching, fleeing priests draws our barbarian into adventure. Soon overwhelmed in a brawl of swordplay, Conan’s would-be murderer is himself run through – by Red Sonja. Renewing grudges, our Hyborian heroes set off to solve the mystery of a severed-but-bejeweled finger. Sonja tells of a wizard executed and a curse – the Curse of the Undead Man, upon the head of Berthidla the Brythunian.
As is my general habit in writing reviews, let's examine this 18-page tale in a 3-tiered judgment.


The Good: I think it's appropriate whenever reading a John Buscema-penciled story to heap praises on the art. This story would be no exception! I'm not always the biggest fan of Pablo Marcos's inks, but his performance is pretty solid over Buscema here. On Savage Sword, I've generally preferred Alfredo Alcala and sometimes Tony DeZuniga over Buscema. But Marcos doesn't fail Buscema or the readers in this story. Anyway, the panel layouts are typical Buscema - no barriers broken, but a nice double-page spread in the midst of the action. Red Sonja is suitably sexy, although with little left to the imagination in her new "outfit". I preferred her in her original Barry Smith-designed garments (regardless of how impractical the hotpants were).


John Buscema excelled at two things in the sword and sorcery genre - beautiful women, and ugly bad guys. There is no shortage of either here. From the prostitutes who greet Conan on page 2 to the thugs overpowering him in the first battle, Buscema just turns it loose. The choreography of the execution of the wizard Costranno was also top shelf. Another excellent scene that turns up time and again in Buscema-illustrated Conan yarns is the bar brawl. We get that, and are better for it. This one is especially fun, as it's Sonja who deals out lessons.


I enjoyed the interplay between Conan and Red Sonja. Conan was of course still smarting from her treatment (and besting) of him in their previous adventure, and her rescue of him near the beginning of this story only poured salt in that wound. But Roy Thomas writes some effective banter, the two mercenaries support each other in battle, and the last panels of the story leave just enough open to the reader's imagination to believe that all previous transgressions are forgiven and that a flagon of wine will indeed be shared. Red Sonja had redeemed herself in the eyes of the barbarian. Now, whether or not he got that kiss is another matter...

The Bad: I'm really waffling on the plot here. I've read this story three times, and each time I just feel that my cup's not quite full. Don't get me wrong - I like it. It's just different from a lot of Conan stories. Conan himself wasn't wronged, no one is out to get him, he's not after some treasure of any sort, he isn't seeking to protect a female "friend" (although he does venture deeper than he needs to out of a sense of honor). This one is a sort of mystery. Again, that's not bad... just different. I didn't mind that Conan and Sonja had a chance encounter - those things can always be explained away. See what I'm doing here? Waffling. To firmly put my finger on it, I guess I'll say that there was nothing new here. Wizard, thugs, monster, tons of swordplay... just a solid Conan story. There was a slight twist at the end - that Berthidla the Brythunian wasn't all that thankful toward our heroes for the rescuing. But even that seemed to be easily written off by Conan and Sonja.

But you know what this really was? A vehicle. A vehicle to launch Red Sonja into a solo color book and further appearances in the B&W mags. Granted, it would take a little over a year for her Marvel Feature series to begin, but in the interim she showed up seven times in various barbarian-themed periodicals. If that's the worst thing that could happen, then my concerns are misplaced.

The Ugly: I think I always put a character's countenance in this section when I review a John Buscema tale. No human stood out to me, so I'll just mention the big hairy arm that rose out of the pit in an effort to pull Sonja below. That had to be scary, and what was on the other end of that limb must certainly have been unpleasant.


Please patronize the other blogs and podcasts in today's event. You won't be sorry to have invested a bit of time along the way!


Coffee and Comics: Green Lantern #100

Two Staple Gold: Just a Pilgrim

Comic Reviews By Walt: Shredder 

The Superhero Satellite: The Walking Dead - “Redeeming Negan”

Comics Comics Blog : Elfquest - Cutters Redemption

Longbox Review: Nightwing's Redemption

Between The Pages Blog:  The Secret Origin Of Spider-Man

The Unspoken Decade: What If V2 #46 and #47

The Daily Rios:

Chris Is On Infinite Earths: The Pied-Piper Reforms! Flash (vol.2) #31

Crapbox Son Of Cthulu:

In My Not So Humble Opinion - The Other Side of the Wind - The Redemption of Orson Welles

The Retroist Via Vic Sage

The Source Material Comics Podcast: Penance - The Redemption of Speedball


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